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The cartoon can be recognized by its trademark ruled paper backdrop, traditional frame-by-frame animation technique, [3] inclusion of pencils and other drawing material, energetic music, classic cartoonish sound effects, simplistic character designs, and a mix of slapstick, situational comedy, meta, and doodle-based humor.
The 1959 cartoon Clutch Cargo produced by Cambria Studios was the first to make use of the Syncro-Vox technique. [2] Clutch Cargo , along with fellow Cambria shows Space Angel and Captain Fathom , superimposed actors' lips voicing the scripted dialogue laid over the animated figures.
Animation is a filmmaking technique whereby still images are manipulated to create moving images.In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film.
Before animation begins, a preliminary soundtrack or scratch track is recorded so that the animation may be more precisely synchronized to the soundtrack. Given the slow manner in which traditional animation is produced, it is almost always easier to synchronize animation to a preexisting soundtrack than it is to synchronize a soundtrack to pre-existing animation.
After drawing the outline, back-face culling is set back to normal to draw the shading and optional textures of the object. Finally, the image is composited via Z-buffering, as the back-faces always lie deeper in the scene than the front-faces. The result is that the object is drawn with a black outline and interior contour lines.
The breakthrough of cinematography partly depended on the novelty of a technique that was able to record and reproduce life-like motion pictures. During the first years, drawing animated pictures seemed an archaic technique in comparison, until some artists produced popular and influential animated shorts and producers embraced cheap techniques ...
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An early step in the history of computer animation was the sequel to the 1973 film Westworld, a science-fiction film about a society in which robots live and work among humans. [27] The sequel, Futureworld (1976), used the 3D wire-frame imagery, which featured a computer-animated hand and face both created by University of Utah graduates Edwin ...