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The 23rd psalm, in which this phrase appears, uses the image of God as a shepherd and the believer as a sheep well cared-for. Julian Morgenstern has suggested that the word translated as "cup" could contain a double meaning: both a "cup" in the normal sense of the word, and a shallow trough from which one would give water to a sheep.
Psalm 23 is the 23rd psalm of the Book of Psalms, beginning in English in the King James Version: "The Lord is my shepherd".In Latin, it is known by the incipit, "Dominus regit me ".
"The 23rd Psalm" is the tenth episode of the second season of Lost, and the 35th episode overall. The episode was directed by Matt Earl Beesley and written by Carlton Cuse and Damon Lindelof . It first aired on January 11, 2006, on ABC , and was watched by an average of 20.56 million American viewers.
"The Lord's My Shepherd" is a Christian hymn. It is a metrical psalm commonly attributed to the English Puritan Francis Rous and based on the text of Psalm 23 in the Bible. The hymn first appeared in the Scots Metrical Psalter in 1650 traced to a parish in Aberdeenshire.
Awana offers resources and Bible-based training programs for children ages 2 to 18 in churches. Children are encouraged, but not required, to memorize Bible verses for credit or to redeem for small prizes. [5] Each Awana program is arranged into different groups that are separated by the ages and grades of the children attending.
The Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969. They are seen as one of Brakhage's major works [1] [2] and include the feature-length 23rd Psalm Branch, considered by some to be one of the filmmaker's masterworks [3] and described by film historian P. Adams Sitney as "an apocalypse of imagination."
When God is made man, man becomes a worm (Psalm 22), a sheep (Psalm 23), or a tree. Verse 2 describes the righteous as "a freshly planted tree" and continues this metaphor by referring to the "braunches", "fruite" and "leafe" of the tree as ways of describing a prosperous follower of God. This imagery continues through the rest of the Psalter.
This included four-part homophonic settings of many of the psalms (those texts that did not have a proper melody were assigned a melody from another psalm), several more complicated or polyphonic psalm settings (also known as Psalms in Reports), and settings of many of the so-called Common Tunes that had come to be used in the seventeenth century.