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Brothel creepers, sometimes shortened to creepers, are a style of shoe that has thick crepe soles, often in combination with suede uppers. This style of footwear became fashionable in the years following World War II , seeing resurgences of popularity at various times since then.
The Beat Goes On (Atco Records 33-237/mono, SD 33-237/stereo) is the second album by the American psychedelic rock band Vanilla Fudge, released in early 1968.The album doesn't contain any actual "songs", but rather a sound collage featuring many different elements: the voices of world leaders past and present, the band reciting pre-written mantras and reflections, and excerpts of songs (done ...
[3] [4] "Michael Jackson (The Beat Goes On)" was released as the lead single from the album on July 11, 2012. The second single "I Like It Loud" was released on September 7, 2012. [5] Lyric videos were released for both singles on Spinnin' Records with the song "Michael Jackson (The Beat Goes On)" paying tribute to American singer Michael Jackson.
The Haunted History of Halloween; Heavy Metal; Heroes Under Fire; Hidden Cities; Hidden House History; High Hitler; High Points in History; Hillbilly: The Real Story; History Alive; History Films; History in Color; History Now; History of Angels [19] A History of Britain; A History of God [20] History of the Joke; The History of Sex; History ...
"Michael Jackson (The Beat Goes On)" is a song by American electronic music group Cash Cash. It was released as the lead single on July 11, 2012, from their third studio album, The Beat Goes On. [2] It was released through Spinnin' Records. [3]
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The backing music for the song was recorded using a group of Los Angeles session musicians nicknamed "The Wrecking Crew."The arrangement is credited to Harold Battiste, but Wrecking Crew bassist Carol Kaye asserts that at the session she devised the distinctive syncopated bass line that is featured on the released recording, replacing the original walking bass line in the prepared arrangement:
Beat Goes On" is a disco song, [11] [12] [13] with funk and hip-hop influences, [10] drum beat and bell chimes, [14] as well as Williams' shimmering, thumping production, which according to Bradley Stern from Idolator, "offers Madonna the perfect groove to wax bombastic about the cathartic pleasures of dancing."