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Islamic calligraphy developed from two major styles: Kufic and Naskh. There are several variations of each, as well as regionally specific styles. Arabic or Persian calligraphy has also been incorporated into modern art, beginning with the post-colonial period in the Middle East, as well as the more recent style of calligraffiti. [8]
Arabic calligraphy can be on occasion be found in places of worship for Muslim's known as Mosques with engravings of Quranic verses / Ayah present on parts of the architecture itself. [16] The most widely recognized example of Arabic Calligraphy on a place of Islamic worship is the Kaaba present in Mecca, Saudi Arabia. [17]
The Hurufiyya movement (Arabic: حروفية ḥurūfiyyah adjectival form ḥurūfī, 'of letters' of the alphabet) is an aesthetic movement that emerged in the second half of the twentieth century amongst artists from Muslim countries, who used their understanding of traditional Islamic calligraphy within the precepts of modern art. By ...
Thuluth (Arabic: ثُلُث, Ṯuluṯ or Arabic: خَطُّ الثُّلُثِ, Ḵaṭṭ-uṯ-Ṯuluṯ; Persian: ثلث, Sols; Turkish: Sülüs, from thuluth "one-third") is an Arabic script variety of Islamic calligraphy. The straight angular forms of Kufic were replaced in the new script by curved and oblique lines.
Nassar Mansour (Arabic: نصّار منصور), (born February 2, 1967), is an artist, calligrapher, academic and designer in the field of Islamic Arts, specializing in Islamic Calligraphy. He is considered to be one of the most accomplished contemporary Arab calligraphers today.
Mouneer Al-Shaarani (Arabic: منير الشعراني; born September 6, 1952) is a Syrian graphic artist specialized in Arabic calligraphy. [1] Al-Shaarani is known as calligrapher, graphic designer and writer about Arabic calligraphy and Arab Islamic art. He has designed several Arabic typefaces for book covers or other graphic creations ...
Musaddak Jameel Al-Habeeb (or M. J. Alhabeeb, born مصدق جميل آل حبيب; July 1, 1954 in southern Iraq) is an Iraqi American contemporary calligrapher who follows the original traditions in Arabic-Islamic calligraphy. He is self-taught, and never studied under any master calligrapher, according to the traditional norm.
Osman Waqialla (Arabic: عثمان وقيع الله, 1925−4 January 2007), was a 20th century Sudanese painter and calligrapher, noted for his creative use of Arabic letter forms in his artworks, thereby integrating African and Islamic cultural traditions into the contemporary art of Sudan. [1]