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Elizabeth praises Mary for her faith (using words partially reflected in the Hail Mary), and Mary responds with what is now known as the Magnificat. Some ancient authorities have Elizabeth, rather than Mary, speaking the Magnificat. [3] [4] The Magnificat is one of the eight most ancient Christian hymns and perhaps the earliest Marian hymn.
Tonus XII (twelfth tone): Magnificat duodecimi toni – for later composers using this see e.g. Magnificat compositions by Moritz von Hessen; Apart from the Magnificat sung to the psalm tones, in Gregorian chant there are also the Magnificat antiphons or O Antiphons inspiring composers like Arvo Pärt.
Vivaldi structured the Magnificat, RV 610, in nine movements, eight for the text of the canticle (Luke 1:46-55) and the conclusion for the doxology.Set in G minor, it is scored for two soprano soloists, alto and tenor soloists, SATB choir, two oboes, violin I and II, viola, and basso continuo, such as cello and a keyboard instrument.
The setting of the evening canticles, part of the Anglican daily service of Evening Prayer, consists of the Magnificat (Song of Mary) and Nunc dimittis (Song of Simeon). Mary sings the Magnificat ("My soul doth magnify the Lord") on the occasion of her visit to Elizabeth, as narrated in the Gospel of Luke (Luke 1:39–56).
The Magnificat setting consists of seven movements for the text of the canticle (Luke 1:46-55), concluded by two movements of the doxology.The following table shows the title, voices, tempo marking, time, key and text source for the nine movements, based on the vocal score, edited by Günter Graulich after the autograph.
Luthers „Magnificat“ (English version) exerpts, Universität Zürich; Works of Martin Luther - The Magnificat Godrules.net; An Exposition upon the Song of the Blessed Virgin Mary called Magnificat LibriVox audiobook, public domain; An Exposition upon the Song of the Blessed Virgin Mary called Magnificat by Martin Luther Youtube.com
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