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Change and continuity is a classic dichotomy within the fields of history, historical sociology, and the social sciences more broadly. The question of change and continuity is considered a classic discussion in the study of historical developments. [ 1 ]
In the history of ideas, the continuity thesis is the hypothesis that there was no radical discontinuity between the intellectual development of the Middle Ages and the developments in the Renaissance and early modern period. Thus the idea of an intellectual or scientific revolution following the Renaissance is, according to the continuity ...
Discontinuity and continuity according to Michel Foucault reflect the flow of history and the fact that some "things are no longer perceived, described, expressed, characterised, classified, and known in the same way" from one era to the next. (1994).
The Allegory On the Writing of History shows Truth (top) watching the historian write history, while advised by Wisdom.(Jacob de Wit,1754)Historiography is the study of the methods used by historians in developing history as an academic discipline, and by extension, the term historiography is any body of historical work on a particular subject.
David Hackett Fischer has identified four waves in European history, each of some 150–200 years' duration. Each wave begins with prosperity, leading to inflation, inequality, rebellion and war, and resolving in a long period of equilibrium. For example, 18th-century inflation led to the Napoleonic wars and later the Victorian equilibrium. [27]
Gellner contrasts the neo-episodic model of change to an evolutionary model that portrays "the pattern of Western history" as a process of "continuous and sustained and mainly endogenous upward growth." [14] Sociologist Michael Mann adapted Gellner's idea of "'episodes' of major structural transformation" and called such episodes "power jumps ...
The essay component of American college applications has a long history, but its purpose has changed over time.
An example of Futurist design: "Skyscraper Lamp", by the Italian architect Arnaldo dell'Ira, 1929 Although Futurism mostly became identified with Fascism, it had a diverse range of supporters. They tended to oppose Marinetti's artistic and political direction of the movement, and in 1924, the socialists, communists and anarchists walked out of ...