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The progressive addition of women to the work force altered shopping styles and fashion. Working women shopped on weekends and in the evenings. Feminized men's business suits such as tailored jackets, midi-skirts, and fitted blouses were their go-to choice as to "dress for success." [41] A young woman wearing a wrap dress.
Victorian Women's fashion: 1870s; Victorian Women's Fashion, 1850–1900: Hairstyles; 1870s Men's Fashions – c. 1870 Men's Fashion Photos with Annotations; From Reforming Fashion, 1850-1914: Politics, Health, and Art, Ohio State University : Reda silk brocade tea gown, c. 1876; Brown challis tean gown in Liberty of London fabric, c. 1877 ...
Western wear is a category of men's and women's clothing which derives its unique style from the clothes worn in the 19th century Wild West. It ranges from accurate historical reproductions of American frontier clothing, to the stylized garments popularized by Western film and television or singing cowboys such as Gene Autry and Roy Rogers in ...
Smock-frocks were a regional style for men, especially shepherds. Country women wore short hooded cloaks, most often red. Both sexes wore handkerchiefs or neckerchiefs. [25] [26] Men's felt hats were worn with the brims flat rather than cocked or turned up. Men and women wore shoes with shoe buckles (when they could afford them).
Fashion photography in the 1960s represented a new feminine ideal for women and young girls: the Single Girl. 1960s photography was in sharp contrast to the models of the 1920s, who were carefully posed for the camera and portrayed as immobile. The Single Girl represented 'movement'. She was young, single, active, and economically self-sufficient.
Many girls' and young women's dresses were styled after those of the older women. Originally everyday workwear in the Southwestern US , Western clothing comprising jeans , Stetson and checked shirt was worn by many young boys during the 1950s in imitation of singing cowboys like Gene Autry and Roy Rogers .
Madeleine Vionnet was an early innovator of the bias-cut, using it to create clinging dresses that draped over the body's contours. [19] Advertisement for women's fashion at McWhirters department store, Brisbane, Australia, 1941. Through the mid-1930s, the natural waistline was often accompanied by emphasis on an empire line.
Men's dresses were buttoned on the front and women's dresses got a décolletage. The lower part of men's dresses were much shorter in length than those for women. They were wide cut and often pleated with an A-line so that horse riding became more comfortable. Even a knights armor had a short metal skirt below the breastplate. It covered the ...