Search results
Results from the WOW.Com Content Network
A PA-302 General Precision Laboratories (GPL) kinescope (c.1950–1955). Its movie film camera, bolted to the top of the cabinet, used Kodak optics.. Kinescope / ˈ k ɪ n ɪ s k oʊ p /, shortened to kine / ˈ k ɪ n iː /, also known as telerecording in Britain, is a recording of a television program on motion picture film directly through a lens focused on the screen of a video monitor.
An encounter with the work and ideas of photographic pioneer Eadweard Muybridge appears to have spurred Thomas Edison to pursue the development of a motion picture system. On February 25, 1888, in Orange, New Jersey , Muybridge gave a lecture amid a tour in which he demonstrated his zoopraxiscope , a device that projected sequential images ...
The kinescope was used to record the image from a television display to film, synchronized to the TV scan rate. The film could then be shown directly into a video camera for retransmission. [3] Non-live programming could also be filmed using the kinescope, edited mechanically as normal, and then played back for TV.
Kinescope of DuMont program Steve Randall: "The Trial" (September 11, 1952) Kinescope of DuMont program They Stand Accused: "The Johnny Roberts Story" (late 1954) Kinescope of DuMont program This Is the Life/The Fisher Family (September 9, 1952) on YouTube; Kinescope of DuMont program Tom Corbett: Space Cadet: "Runaway Rocket" (May 22, 1954)
In the studio, when two or three Electronicam cameras were used, a kinescope system recorded the live feed (as broadcast), so the Electronicam films could later be edited to match. The audio was recorded separately, onto either a magnetic fullcoat (1952, and all later) or as an optical soundtrack negative (pre-1952).
The technique would not work with the baseline vidicon tube because it suffered from the limitation that as the target was fundamentally an insulator, the constant low light level built up a charge which would manifest itself as a form of fogging. The other types had semiconducting targets which did not have this problem.
A cause of death for writer and director Jeff Baena, whose credits include “Life After Beth” and “The Little Hours,” has been determined.
In the United States and other countries where television uses the 59.94 Hz vertical scanning frequency, video is broadcast at 29.97 frame/s. For the film's motion to be accurately rendered on the video signal, a telecine must use a technique called the 2:3 pull down (or a variant called 3:2 pull down) to convert from 24 to 29.97 frame/s.