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TV movie. The movie is very much an homage to the works of H. P. Lovecraft. Though not based on any one particular story by Lovecraft, the film features many Lovecraftian tropes, and can be considered to take place against the unified backdrop which has come to be known as the Cthulhu Mythos. The nightclub is called Harry Bordon's Dunwich Room.
The Great Wall (simplified Chinese: 长城; traditional Chinese: 長城) is a 2016 monster film directed by Zhang Yimou, with a screenplay by Carlo Bernard, Doug Miro and Tony Gilroy, from a story by Max Brooks, Edward Zwick and Marshall Herskovitz.
Title Release date Notes Amphitryon: 1935 Antigone: 1961 Atlas in the Land of the Cyclops: 1961 peplum film: Atlantis: 2013-2015 the show, submarine pilot Jason washes up on the shores of legendary Atlantis and must navigate the powerful leaders of the mythological realm.
Add that to the list of media tropes that penny-pinching Redditors can't stand. Wall Punching and 7 Other Clichés, Stereotypes, and Tropes That Frugal Redditors Can't Stand Skip to main content
The Great Movies is the name of several publications, both online and in print, from Roger Ebert, an American film critic and columnist for The Chicago Sun-Times. The object was, as Ebert put it, to "make a tour of the landmarks of the first century of cinema", [ 1 ] by writing essays on films Ebert considered particularly well-made, important ...
A trope is an element of film semiotics and connects between denotation and connotation.Films reproduce tropes of other arts and also make tropes of their own. [6] George Bluestone wrote in Novels Into Film that in producing adaptations, film tropes are "enormously limited" compared to literary tropes.
THX 1138 is a 1971 American social science fiction film co-written and directed by George Lucas in his directorial debut. Produced by Francis Ford Coppola and co-written by Walter Murch, the film stars Robert Duvall and Donald Pleasence, with Don Pedro Colley, Maggie McOmie, and Ian Wolfe in supporting roles.
The white savior is a cinematic trope in which a white central character rescues non-white (often less prominent) characters from unfortunate circumstances. [1] This recurs in an array of genres in American cinema, wherein a white protagonist is portrayed as a messianic figure who often gains some insight or introspection in the course of rescuing non-white characters (or occasionally non ...
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