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2. Twelve-bar blues - Wikipedia

   en.wikipedia.org/wiki/Twelve-bar_blues

   As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then something new is played. [ 14 ]

3. Eight-bar blues - Wikipedia

   en.wikipedia.org/wiki/Eight-bar_blues

   Eight-bar blues progressions have more variations than the more rigidly defined twelve bar format. The move to the IV chord usually happens at bar 3 (as opposed to 5 in twelve bar); however, "the I chord moving to the V chord right away, in the second measure, is a characteristic of the eight-bar blues."

4. Stradella bass system - Wikipedia

   en.wikipedia.org/wiki/Stradella_bass_system

   96-button Stradella bass layout on an accordion. C is in the middle of the root note row. The Stradella Bass System (sometimes called [1] standard bass) is a buttonboard layout equipped on the bass side of many accordions, which uses columns of buttons arranged in a circle of fifths; this places the principal major chords of a key (I, IV and V) in three adjacent columns.

5. Free-bass system - Wikipedia

   en.wikipedia.org/wiki/Free-bass_system

   The "quint" free-bass system invented by Willard Palmer – later patented by Titano, has extra bass rows to extend the existing bass arrangement of the Stradella system. [6] The quint version and chromatic-button versions were available in "converter" (or "transformer") models with a control to switch from standard Stradella to free-bass. [7]

6. All Blues - Wikipedia

   en.wikipedia.org/wiki/All_Blues

   "All Blues" is a jazz composition by Miles Davis first appearing on the influential 1959 album Kind of Blue. It is a twelve-bar blues in 6 8 ; the chord sequence is that of a basic blues and made up entirely of seventh chords , with a ♭ VI in the turnaround instead of just the usual V chord.

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