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Frankenstein is a 1931 American gothic pre-Code science fiction horror film directed by James Whale, produced by Carl Laemmle Jr., and adapted from a 1927 play by Peggy Webling, which in turn was based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus.
The horror novel Frankenstein by Mary Shelley has inspired a number of films: From the silent film era: Frankenstein (1910) Life Without Soul (1915) Il mostro di Frankenstein (1920) A film series by Universal Studios: Frankenstein (1931) Bride of Frankenstein (1935) Son of Frankenstein (1939) The Ghost of Frankenstein (1942) Frankenstein Meets ...
After Frankenstein and starring in several high-profile films such as Bride of Frankenstein (1935) [2] and The Mummy (1932), Karloff spent the remainder of the 1930s working at an incredible pace, but getting progressively involved in lower budget films. In the 1940s, he began to get stereotyped into playing "mad scientist" roles.
Frankenstein Meets the Wolf Man was the first of what would become known as the "monster rally films". [28] These would be followed with other name-brand film monsters in crossovers such as House of Frankenstein and House of Dracula. [28] Preparations for House of Frankenstein began in August 1943 under the title The Devil's Brood. [31]
Dwight Iliff Frye (born Fry; February 22, 1899 – November 7, 1943) was an American character actor of stage and screen. He is best known for his portrayals of neurotic, murderous villains in several classic Universal horror films, such as Renfield in Dracula (1931) and Fritz in Frankenstein (1931).
The film was also influenced by the success of Frankenstein (1931), which Florey was originally supposed to direct. The film deviated from Poe’s story and added elements of comedy, romance, and ...
Frankenstein (1931) It's Boris Karloff in his signature role, taking on another larger-than-life Universal monster. Four years later, Karloff and director James Whale reunited for the sequel, The ...
However, the 1931 Frankenstein film by Universal Pictures and it's sequel Bride of Frankenstein have had an immense influence on the appearance and wider cultural understanding of the character. This rendition of the creation is the most pervasive and appears in pop culture and advertising very frequently, giving it an iconic image and status.
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