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In 2013, Soul Adventurer was released as the band's second album. With the new lineup on board, the group won Best Alternative Recording (Awit Awards) for the song Better Days. [6] On November 9, 2014, FRANCO launched an EP titled Frank! at the St. James Power Station in Sentosa, Singapore.
Though typically considered to be archrivals, the duo recorded several albums together. Omona Wapi was released by the independent American label Shanachie Records in 1985 and reissued on CD in 1991. [3] [4] It was one of the final recordings of Franco, who released some 150 albums during his career and died of AIDS in 1989. [2]
While no singles were officially released from the album L'arca di Noè, "Voglio vederti danzare" served as its leading song, with Battiato promoting it in his television appearances and shooting a music video of it.
Aventurero is the nineteenth studio album by Dominican singer Frank Reyes. [1] It was released on February 12, 2021. [2] The album was originally set to release on Valentine's Day, but decided to release it two days before it. [3]
The best success fell to Franco who alone released the album Sarò Franco and various singles (of which “L'ultimo dei belli” ended up in the hit parade). [34] Even during their television conductions in the 1980s they signed several closing theme songs for their respective programs, including the one created for Drim entitled “E mi pareva ...
Mondo Cannibale (English: Cannibal World; also known as The Cannibals – or simply Cannibals –, Die Blonde Göttin, White Cannibal Queen, A Woman for the Cannibals and Barbarian Goddess) is a 1980 Spanish-Italian cannibal exploitation film directed by Jesús Franco and stars Al Cliver and a then-17 year old Sabrina Siani.
Live at the Blue Note is a live album by the flugelhornist Franco Ambrosetti which was recorded in New York in 1992 and released on the Enja label the following year. [ 1 ] [ 2 ] Reception
L'imboscata (transl. The ambush) is a studio album by Italian singer-songwriter Franco Battiato, released by Mercury Records in 1996. After some more experimental albums and meditative songs, the album marked the return of Battiato to a rock sound and to a massive commercial success, mainly pushed by the success of the song "La cura".