Search results
Results from the WOW.Com Content Network
Rajasthani saints hail from all castes; Maharshi Naval Ram and Umaid Lakshman Maharaj were Bhangis, Karta Ram Maharaj was a Shudra, Sundardasa was a Vaish, and Meerabai and Ramdeoji were Rajputs. The backward caste Nayaks serve as the narrators or the devotional music (or " bhajan ") for the Baba Ramdevji sect.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
Krishna and Radha, attributed to Nihal Chand, a master of the Kishangarh miniature school trained at the imperial court in Delhi. [1]Apart from the architecture of Rajasthan, the most notable forms of the visual art of Rajasthan are architectural sculpture on Hindu and Jain temples in the medieval era, in painting illustrations to religious texts, beginning in the late medieval period, and ...
Rajasthani Jains do not eat after sundown and their food does not contain garlic and onions. Rajputs are usually meat eaters; however, eating beef is a taboo within the majority of the culture. [65] [66] Rajasthani cuisine has many varieties, varying regionally between the arid desert districts and the greener eastern areas.
Rajasthan means "The Land of Kings" and is a portmanteau of Sanskrit "Rājā" ('King') and Sanskrit "Sthāna" ('Land') or Persian "St(h)ān", with the same meaning. [12] The oldest reference to Rajasthan is found in a stone inscription dated back to 625 CE. [ 18 ]
Rajasthani cuisine is the traditional cuisine of the Rajasthan state in north-west India. It was influenced by various factors like the warlike lifestyles of its inhabitants, the availability of ingredients in an arid region and by Hindu temple traditions of sampradayas like Pushtimarg and Ramanandi .
The earliest influence on Marwar style can be traced to the murals of Ajanta, of which, the door of Mandor is the finest example. According to Tarachand, this style is related to Sringdhar which traces the origin of Marwar style to the confluence of local art styles and Ajanta frescoes. [1]
Mandana art work on the walls of Rajasthani mud huts from Shilpgram, Udaipur In recent times, the practice has become less visible and has been called outdated. [ 2 ] Conservation efforts, such as those of Koshalya Devi from Baran , have been engaged in preserving and conserving the traditional white chalk on red background Mandana drawings. [ 2 ]