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Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism . His work, alongside that of his wife Margaret Macdonald , was influential on European design movements such as Art Nouveau and Secessionism and praised by ...
Description: Dans le Kelvingrove Museum, l'exposition "Mackintosh and the Glasgow Style" présente l'origine du style de Glasgow, Il commente les oeuvres et la vie de l'architecte, peintre et designer Charles Rennie Mackintosh, de son épouse Margaret Macdonald et de sa soeur Frances Macdonald, en particulier leur exposition commune à la Sécession de Vienne en 1900, puis la conception des ...
Dorothy Carleton Smyth (1880 – 16 February 1933) was a Scottish artist, a compatriot of Charles Rennie Mackintosh, active in theatrical and costuming design, and one of the leading lights at the Glasgow School of Art during the post WWI period.
Annand produced 16mm films including the first-ever film about Charles Rennie Mackintosh in 1965. [1] [2] She was involved in and directed many other films throughout her life, though she dedicated a lot of time to her art as well. She first put her art-work on display in 1945 though participated in various solo and group exhibitions following.
Scene representing stage and proscenium arch with flanking figures of "Tragedy" and "Comedy" (As of 2012, one figure is missing and the other is headless.) James Hamilton, sculpted by Alexander Handyside Ritchie: 1851 Houldsworth Mausoleum Flanking angels and "Hope" and "Charity", with "Faith" visible inside the mausoleum John Thomas 1854
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Front Row L-R: Herbert McNair and Charles Rennie Mackintosh. The Gift of Doves, 1904. James Herbert McNair (23 December 1868 – 22 April 1955), was a Scottish artist, designer and teacher whose work contributed to the development of the Modern Style (British Art Nouveau style) during the 1890s.
Talwin Morris suggested Charles Rennie Mackintosh as the architect for Hill House, and Blackie, despite Mackintosh's youthfulness, was convinced after seeing other houses designed by him. Blackie had specific requirements for the construction, seeking grey rough-cast walls and a slate roof instead of traditional materials like bricks and wood ...