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A house mouse (Mus musculus). Fear of mice and rats is one of the most common specific phobias.It is sometimes referred to as musophobia (from Greek μῦς "mouse") or murophobia (a coinage from the taxonomic adjective "murine" for the family Muridae that encompasses mice and rats, and also Latin mure "mouse/rat"), or as suriphobia, from French souris, "mouse".
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
Japanophilia is a strong interest in Japanese culture, people, and history. [1] In Japanese, the term for Japanophile is "shinnichi" (親日), with "shin (親)" equivalent to the English prefix 'pro-' and "nichi (日)", meaning "Japan" (as in the word for Japan "Nippon/Nihon" (日本)). The term was first used as early as the 18th century ...
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Gairaigo are Japanese words originating from, or based on, foreign-language, generally Western, terms.These include wasei-eigo (Japanese pseudo-anglicisms).Many of these loanwords derive from Portuguese, due to Portugal's early role in Japanese-Western interaction; Dutch, due to the Netherlands' relationship with Japan amidst the isolationist policy of sakoku during the Edo period; and from ...
In Japanese culture, social hierarchy plays a significant role in the way someone speaks to the various people they interact with on a day-to-day basis. [5] Choice on level of speech, politeness, body language and appropriate content is assessed on a situational basis, [6] and intentional misuse of these social cues can be offensive to the listener in conversation.
Monogatari (Japanese: 物語, [monoɡaꜜtaɾi]) is a literary form in traditional Japanese literature – an extended prose narrative tale comparable to epic literature. Monogatari is closely tied to aspects of the oral tradition, and almost always relates a fictional or fictionalized story, even when retelling a historical event.
In modern Japanese, the word is usually translated as "elegance," "refinement," or "courtliness" and sometimes to a "sweet loved one". The ideal posed by the word demanded the elimination of anything that was absurd or vulgar and the "polishing of manners, diction, and feelings to eliminate all roughness and crudity so as to achieve the highest ...