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Staring can be interpreted as being either hostile, or the result of intense concentration; above, two men stare at each other during a political argument. Children have to be socialised into learning acceptable staring behaviour. This is often difficult because children have different sensitivities to self-esteem.
People, perhaps without consciously doing so, search other's eyes and faces for positive or negative mood signs. In some contexts, the meeting of eyes arouses strong emotions. Eye contact provides some of the strongest emotions during a social conversation. This primarily is because it provides details on emotions and intentions.
The existentialist philosopher Jean-Paul Sartre introduced the concept of the gaze [a] in his 1943 book Being and Nothingness; the idea is that the act of gazing at another human being creates a subjective power difference, which is felt both by the "gazer" and by the "gazed", because the person being gazed at is objectified – perceived as an object, not as a human being.
The thousand-yard stare (also referred to as two-thousand-yard stare) is the blank, unfocused gaze of people experiencing dissociation due to acute stress or traumatic events. It was originally used about war combatants and the post-traumatic stress they exhibited but is now also used to refer to an unfocused gaze observed in people under a ...
Image credits: Laura Gustafson #5. We had a couch in the living room. But the living room was carpeted so I was not allowed to walk on the carpet. And thus I was not allowed to sit on the couch.
Academic writing often features prose register that is conventionally characterized by "evidence...that the writer(s) have been persistent, open-minded and disciplined in the study"; that prioritizes "reason over emotion or sensual perception"; and that imagines a reader who is "coolly rational, reading for information, and intending to formulate a reasoned response."
They stare at us to gauge how we are feeling and what to expect from us. It's interesting that basically they're taking their cues from us and understand our body language and actions better than ...
In a Kubrick stare, an actor looks out from under the brow line and tilts their head towards the camera. [3] Actors often use the stare to foreshadow something "intense". [ 1 ] Deemed "one of cinema's most recognizable shots" by The Daily Telegraph , [ 4 ] the technique is named after Stanley Kubrick , who often used it, but it has also been ...