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"Three Marlenas" is a song by American rock band the Wallflowers. It was released in October 1997 as the fourth and final single from their second album, Bringing Down the Horse (1996). The song peaked at number 51 on the US Billboard Hot 100 Airplay chart and number 13 on Canada's RPM 100 Hit Tracks chart.
"6th Avenue Heartache" is a song by the American rock band The Wallflowers. It was released in April 1996 as the lead single from their second album Bringing Down the Horse. The song became their first hit, peaking at No. 8 on the US Modern Rock Tracks chart, No. 10 on the US Mainstream Rock Tracks chart, and No. 33 on the US Hot 100 Airplay chart
"One Headlight" is a song by American rock band the Wallflowers. The song was written by lead singer Jakob Dylan , and produced by T Bone Burnett . It was released in January 1997 as the second single and opening track from the band's second studio album, Bringing Down the Horse (1996).
On June 21, 2011, a preview for the "Deer in the Headlights" music video was released. [14] The music video officially premiered on June 30, 2011 via AOL and was directed by Steve Hoover. [3] The video was inspired by the 1985 science fiction film, Back to the Future and was shot in parts of Mint Canyon, Santa Clarita. Young described the music ...
The whole track was leaked onto the web as was apparent on several YouTube videos, which were revoked by the Universal Music Group. On April 27, 2007, a 34-second clip of the video for "Heart-Shaped Glasses (When the Heart Guides the Hand)" was released on YouTube, featuring Manson and girlfriend Evan Rachel Wood kissing while drenched in blood.
"Headlines" is a song by Canadian rapper Drake. It is the second single from Drake's second studio album Take Care. [2] [3] [4] The song, produced by Matthew "Boi-1da" Samuels, and Noah "40" Shebib, first premiered on Drake's blog October's Very Own on July 31, 2011, [5] and was sent to all radio formats in the US on August 9, 2011.
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A screenshot from the music video, noted for its provocative imagery and manifestation of Gomez's artistic maturity. The music video for "Good for You" follows a restrained, [82] low-key, [134] straightforward premise; [24] it was shot on a basic set [43] and focuses solely on Gomez.