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The Planets, Op. 32, is a seven-movement orchestral suite by the English composer Gustav Holst, written between 1914 and 1917. In the last movement the orchestra is joined by a wordless female chorus. Each movement of the suite is named after a planet of the Solar System and its supposed astrological character.
Manfred Mann's Earth Band used "Jupiter, bringer of joy" for his song "Joybringer". [22] The 1985 album Beyond the Planets, by Jeff Wayne, Rick Wakeman and Kevin Peek (with narration by Patrick Allen), is a rock arrangement of the entire suite. [23] The song "Hammerheart" in Twilight of the Gods album by Bathory is based on the fourth movement ...
This is a discography of commercial recordings of The Planets, Op. 32, an orchestral suite by Gustav Holst, composed between 1914 and 1916, and first performed by the Queen's Hall Orchestra conducted by Adrian Boult on 29 September 1918. It includes the composer's own recordings made in 1922–1923 and 1926.
Holst was born in Cheltenham, Gloucestershire, the elder of the two children of Adolph von Holst, a professional musician, and his wife, Clara Cox, née Lediard. She was of mostly British descent, [n 1] daughter of a respected Cirencester solicitor; [2] the Holst side of the family was of mixed Swedish, Latvian and German ancestry, with at least one professional musician in each of the ...
HOLST the planets York2 "World Premiere Recording 4 hands one piano" publisher Black Box. and GUSTAV HOLST THE PLANETS "A World Premiere The Composer's own TWO PIANO VERSION" publisher FACET. Frankk74 09:49, 23 February 2009 (UTC) Note there is also an Organ version which was transcribed from the Orchestral version by Peter Sykes publisher Raven.
In 1777, Joseph Haydn's opera "Il mondo della luna"("The world on the moon") premiered. Author and classical music critic David Hurwitz describes Joseph Haydn's choral and chamber orchestra piece, The Creation, composed in 1798, as space music, both in the sense of the sound of the music, ("a genuine piece of 'space music' featuring softly pulsating high violins and winds above low cellos and ...
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The album's title track contains excerpts from Johann Sebastian Bach's Mass in B Minor (1749) and Gustav Holst's The Planets (1914–16). [2] Its lyrical theme was inspired by John Milton's Paradise Lost (1667) and Paradise Regained (1671), and also includes a reference to Dante Alighieri's 14th-century epic poem Inferno.
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