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The syntax of modern tone indicators stems from /s, which has long been used on the internet to denote sarcasm. [4] This symbol is an abbreviated version of the earlier /sarcasm, itself a simplification of </sarcasm>, the form of a humorous XML closing tag marking the end of a "sarcasm" block, and therefore placed at the end of a sarcastic ...
Sarcasm recognition and expression both require the development of understanding forms of language, especially if sarcasm occurs without a cue or signal (e.g., a sarcastic tone or rolling the eyes). Sarcasm is argued to be more sophisticated than lying because lying is expressed as early as the age of three, but sarcastic expressions take place ...
Prosody is also important in signalling emotions and attitudes. When this is involuntary (as when the voice is affected by anxiety or fear), the prosodic information is not linguistically significant. However, when the speaker varies their speech intentionally, for example to indicate sarcasm, this usually involves the use of prosodic features.
Emotional prosody or affective prosody is the various paralinguistic aspects of language use that convey emotion. [1] It includes an individual's tone of voice in speech that is conveyed through changes in pitch, loudness, timbre, speech rate, and pauses.
For example, novels with a horror theme can have previously calm, uninvolved individuals coming upon an extreme situation, such as violence involving the supernatural, growing more and more passionate in a way that turns the entire writing increasingly emotional. Official and technical documentation tends to employ a formal tone throughout the ...
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
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For example, in Tobias Smollett's The Adventures of Roderick Random, which was published in 1748, the eponymous hero takes a coach to Bath and on the way apprehends a highwayman. This provokes an altercation with a less brave passenger: He looked back and pronounced with a faltering voice, 'O! 'tis very well—damn my blood! I shall find a time.'