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Keith Allen Haring (May 4, 1958 – February 16, 1990) was an American artist whose pop art emerged from the New York City graffiti subculture of the 1980s. [1] His animated imagery has "become a widely recognized visual language". [ 2 ]
AIDS further prompted him to make public art that specifically showed imagery of the AIDS epidemic, including Todos Juntos Podemos Parar el SIDA; this was the start of the Keith Haring Foundation. Haring's last major collaboration The Valley with William S. Burroughs is an ominous allegorical depiction of the horror and chaos of the AIDS Crisis ...
This is an incomplete list of paintings and other works by American artist Keith Haring (1958–1990). Haring's art career gained massive popularity from his chalk drawings at New York City subways. [1] Much of his work was related to social activism, safe sex, AIDS, crack, apartheid, and homosexuality. [2] Haring died on February 16, 1990 ...
The wide-open generosity of spirit in Keith Haring's vivacious work is seen in the Broad's deft show, which culls together about 120 works that he created between 1982 and 1989.
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Keith Haring’s 1989 piece “Unfinished Painting” became the center of an ethics debate about art and artificial intelligence after an X user used AI to “complete” the work.
Todos Juntos Podemos Parar el SIDA (English: Together We Can Stop AIDS) is a mural created by American artist and social activist Keith Haring in 1989. The mural was painted to raise awareness to the AIDS epidemic. It is located next to the Museu d'Art Contemporani de Barcelona museum in the El Raval neighbourhood of Barcelona.
The Valley is a suite of etchings by Keith Haring, illustrating the eponymous final chapter from The Western Lands by William S. Burroughs, drawn in 1989 and published in 1990. [1]