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Often, the meaning of an allegory is religious, moral, or historical in nature. Example: "The Faerie Queene" by Edmund Spenser. [1] Periphrasis: the usage of multiple separate words to carry the meaning of prefixes, suffixes or verbs. Objective correlative; Simile: a figure of speech that directly/explicitly compares two things.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Writers and speakers typically use allegories to convey (semi-) hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. [2] Many allegories use personification of abstract concepts.
The unorthodox use of punctuation increases the expressive complexity of poems, or may be used to align poetic metres. Unconventional use of punctuation is also employed to stress the meaning of words differently, or for dramatic effect. End-stopping is when a punctuation—of any kind—at the end of a line is accompanied by a strong pause ...
For example, ìjálá is acoustically open and intense, while ewì is spoken in a high-falsetto, wailing voice quality. [ 5 ] According to Waterman, “The words that placate gods and drive kings to suicide [are] made more potent by the patterning of timbre, texture, pitch, and rhythm.” [ 6 ] According to Vidal, Yorùbás have oríkì for ...
The word ghazal originates from the Arabic word غزل (ġazal). This genre of Arabic poetry is derived from غَزَل (ḡazal) or غَزِلَ (ḡazila) - To sweet-talk, to flirt, to display amorous gestures. [6] The Arabic word غزل ġazal is pronounced . In English, the word is pronounced / ˈ ɡ ʌ z əl / [7] or / ˈ ɡ æ z æ l /. [8]
The turn in poetry has gone by many names. In "The Poem in Countermotion", the final chapter of How Does a Poem Mean?, John Ciardi speaks thus of the "fulcrum" in relation to the non-sonnet poem "O western wind" (O Western Wind/when wilt thou blow/The small rain down can rain//Christ! my love were in my arms/and I in my bed again): 'The first two lines are a cry of anguish to the western wind ...
The action skeleton can then be abstracted, comprising a further digraph where the actions are depicted as nodes and edges take the form "action a co-determined (in context of other actions) action b". Narratives can be both abstracted and generalised by imposing an algebra upon their structures and thence defining homomorphism between the ...