Search results
Results from the WOW.Com Content Network
R-labialization, which should not be confused with the rounding of initial /r/ described above, is a process occurring in certain dialects of English, particularly some varieties of Cockney, in which the /r/ phoneme is realized as a labiodental approximant [ʋ], in contrast to an alveolar approximant [ɹ].
The voiced alveolar trill is a type of consonantal sound used in some spoken languages.The symbol in the International Phonetic Alphabet that represents dental, alveolar, and postalveolar trills is r , and the equivalent X-SAMPA symbol is r.
For further ease of typesetting, English phonemic transcriptions might use the symbol r even though this symbol represents the alveolar trill in phonetic transcription. The bunched or molar r sounds remarkably similar to the postalveolar approximant and can be described as a voiced labial pre-velar approximant with tongue-tip retraction .
The AOL.com video experience serves up the best video content ... Billie Eilish top the list of 2024's best songs. ... ‘Wish’ cast and crew say it builds on the ‘Frozen’ legacy while ...
It should not be used for representing non-English words or an approximation thereof. Sometimes another means of indicating a pronunciation is more desirable than this respelling system, such as when a name is intended to be a homonym of an existing English word or phrase, or in case of an initialism or a name
The search engine that helps you find exactly what you're looking for. Find the most relevant information, video, images, and answers from all across the Web.
Rolled r or rolling r refers to consonant sounds pronounced with a vibrating tongue or uvula: Alveolar trill, a consonant written as ...
"We Are Family" is a song recorded by American vocal group Sister Sledge. Composed by Bernard Edwards and Nile Rodgers, they both offered the song to Atlantic Records; although the record label initially declined, the track was released in April 1979 as a single from the album of the same name (1979) [1] and began to gain club and radio play, eventually becoming the group's signature song.