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Canadian legislator John Charles Rykert wears a narrow ribbon necktie and a collarless waistcoat. His coat has wide lapels. 1873. Innovations in men's fashion of the 1870s included the acceptance of patterned or figured fabrics for shirts and the general replacement of neckties tied in bow knots with the four-in-hand and later the ascot tie.
The ends of his large necktie are loosely looped and secured with a stickpin, and then tucked into his waistcoat. 1855–65. John Tyler wears a cravat tied in a floppy bow. His coat has wide lapels and contrasting waistcoat have wide lapels, 1860–62. Wilhelm Taubert wears a dark necktie tied in a bow and slightly winged collar. German, 1862.
Contrasting waistcoats were popular, and could be made with or without collars and lapels. The usual style was single-breasted. The blazer , a navy blue or brightly colored or striped flannel coat cut like a sack coat with patch pockets and brass buttons, was worn for sports, sailing, and other casual activities.
Johann Christian Fischer, composer, in matching coat, waistcoat, and breeches, by Thomas Gainsborough, ca. 1780. The suit is a traditional form of men's formal clothes in the Western world. For some four hundred years, suits of matching coat, trousers, and waistcoat have been in and out of fashion.
Heavy padded and fitted frock coats (in French redingotes), now usually single-breasted, were worn for business occasions, over waistcoats or vests with lapels and notched collars. Waistcoats were still cut straight across at the waist in front in 1850, but gradually became longer; the fashion for wearing the bottom button undone for ease when ...
A frock coat is a formal men's coat characterised by a knee-length skirt cut all around the base just above the knee, popular during the Victorian and Edwardian periods (1830s–1910s). It is a fitted, long-sleeved coat with a centre vent at the back and some features unusual in post-Victorian dress.
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