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A Sunday Afternoon on the Island of La Grande Jatte (French: Un dimanche après-midi à l'Île de la Grande Jatte) was painted from 1884 to 1886 and is Georges Seurat's most famous work. [1] A leading example of pointillist technique, executed on a large canvas, it is a founding work of the neo-impressionist movement.
A Sunday Afternoon on the Island of La Grande Jatte, 1884–1886, oil on canvas, 207.5 × 308.1 cm, Art Institute of Chicago. In summer 1884, Seurat began work on A Sunday Afternoon on the Island of La Grande Jatte. The painting shows members of each of the social classes participating in various park activities.
Sunday in the Park with George is a 1984 musical with music and lyrics by Stephen Sondheim and book by James Lapine. It was inspired by the French pointillist painter Georges Seurat's painting A Sunday Afternoon on the Island of La Grande Jatte (painted, 1884–1886). The plot revolves around George, a fictionalized version of Seurat, who ...
Final study for La Grande Jatte [83] Metropolitan Museum of Art, New York City 141 70.5 × 104.1 More images: 1884 to 1886 A Sunday Afternoon on the Island of La Grande Jatte [84] Art Institute of Chicago 142 207.5 × 308.1 More images: 1884 to 1885 La Luzerne, Saint-Denis [85] Scottish National Gallery, Edinburgh 145 65.3 × 81.3 More images ...
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Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat.Seurat's most renowned masterpiece, A Sunday Afternoon on the Island of La Grande Jatte, marked the beginning of this movement when it first made its appearance at an exhibition of the Société des Artistes Indépendants (Salon des Indépendants) in Paris. [1]
'A Sunday Afternoon on the Island of La Grande Jatte' — but make it leafier. ... "A Sunday Afternoon on the Island of La Grande Jatte," recreated in leafy detail with Japanese yew shrubs. ...
Place of creation: France : Object history: By descent to Mme. Seurat, the artist’s mother (died 1899), Paris, 1891; by descent to Emile Seurat, the artist’s brother; sold for 800 francs to Casimir Brû, Paris, 1900; given by him to his daughter, Lucie, Paris, 1900; Lucie Brû Cousturier and Edmond Cousturier, Paris; sold for $20,000 possibly through Charles Vildrac, Paris to Frederic Clay ...