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Bernardino Luini, Holy Family with Saint Anne and the infant John the Baptist Francesco Melzi, Vertumnus and Pomona. Although apparently not being developed into a painting by Leonardo, the drawing was used as a source for the paintings of others. A painting based on the cartoon was made by Bernardino Luini. He was a pupil of Leonardo.
Traditionally, Assisi embroidery was rarely executed in cross-stitch but was most often in long-armed cross-stitch. Examples employing other stitches, such as Italian cross-stitch and Algerian plait stitch, are also known. The colours of thread used were red, blue, green or gold for the background and black or brown for the outlines.
The Holy Cross Sisters are dedicated to the Immaculate Heart of Mary, the Holy Cross Brothers to Saint Joseph, and the Priests of Holy Cross to the Sacred Heart. The Sons of the Holy Family is another religious congregation devoted to the Holy Family. The Cathedral of the Holy Family of Nazareth is the see of the Diocese of Tulsa in Oklahoma. [18]
The Holy Family with Saint John the Baptist and an Angel; Holy Family under an Oak Tree; Holy Family with a Female Saint (Mantegna) The Holy Family with a Little Bird; Holy Family with a Shepherd; Holy Family with Angels (Parmigianino) Holy Family with Saint Anne and the Infant Saint John; Holy Family with Saint Catherine and Saint John the Baptist
The Holy Family with Saint Anne and the Infant Saint John and the Holy Family with Saint Elizabeth and the Infant Saint John the Baptist are titles given to two very similar pictures of the Holy Family by the Italian Renaissance painter Bronzino. The first version (German: Hl. Familie mit Hl.
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Rembrandt portrays the Holy Family as a typical family of Amsterdam in his day. In the foreground Jesus is asleep in the same style of wicker crib that can be seen in period paintings of mothers with babies by Pieter de Hooch. Mary looks up from her book to take a peek at the sleeping child under the crib curtain (Dutch: klamboe).
Cross-stitch was not used much, the women preferring patchwork patterns of diamond and rectangular shapes, as well as other embroidery techniques. [39] [40] In the 1860s, H.B. Tristram described costumes in the villages of El Bussah and Isfia as being either "plain, patched or embroidered in the most fantastic and grotesque shapes". [41]
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