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African formal clothing has normalized western clothing conventions and styles. European influence is commonly found in African fashion as well. For example, Ugandan men have started to wear "full length trousers and long-sleeved shirts". On the other hand, women have started to adapt influences from "19th-century Victorian dress". These styles ...
The kikoi is made of cotton and patterns are woven rather than dyed into the fabric. [1] As with all sarongs, it is a single piece of cloth which is wrapped around the waist, and rolled over outwards a couple of times. Outside of their intended use as a sarong, they can be used as a sling to hold a baby, towel, or a head wrap.
A greater variety in the patterns and functions exist in Ewe Kente, and the symbolism of the patterns often has more to do with daily life than with social standing or wealth. Dagbon: The people are specialised in weaving the Chinchini. This African textile is used to weave the Ghanaian Smock. Queens, princesses and women of Dagbon wear the ...
Many African cultures have a characteristic traditional style of dress that is important to their heritage. [1] Traditional garments worn in Nigeria include: Yoruba men wear agbada , which is a formal attire, commonly worn as part of a three-piece set: an open-stitched full gown, a long-sleeved shirt, and sokoto (trousers fitted snugly at the ...
A typical kitenge pattern. Customers and visitors at a display of African kitenge clothes. A kitenge or chitenge (pl. vitenge Swahili; zitenge in Tonga) is an East African, West African and Central African piece of fabric similar to a sarong, often worn by women and wrapped around the chest or waist, over the head as a headscarf, or as a baby sling.
The three pieces are generally of the same colour. It is made from cotton and richly embroidered in traditional patterns. It is worth stating, the Yoruba Agbada is a different clothing and distinct from the Babaringa and Grand Boubou. [2] The Agbada is produced in various styles including with aso oke, lace, silk, etc.
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Kente patterns vary in complexity, with each pattern having a name or message by the weaver. Ghanaians choose kente cloths as much for their names as their colors and patterns. Although the cloths are identified primarily by the patterns found in the lengthwise (warp) threads, there is often little correlation between appearance and name.