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Classical guitar headstock. A headstock or peghead is part of a guitar or similar stringed instruments such as a lute, mandolin, banjo, ukulele and others of the lute lineage. . The main function of a headstock is to house the tuning pegs or other mechanism that holds the strings at the "head" of the instrument; it corresponds to a pegbox in the violin fami
The headstock shape was also modified to a deeper taper and shaped to resemble the Martin instruments. As is traditional with classical instruments, Sigma classical guitars do not have the headstock logo, and one must rely on the inner label for identification.
Kalamazoo is the name for two different lines of instruments produced by Gibson.In both cases Kalamazoo was a budget brand. The first consisted of such instruments as archtop, flat top and lap steel guitars, banjos, and mandolins made between 1933 and 1942, and the second, from 1965 to 1970, had solid-body electric and bass guitars.
Martin EB18 bass guitar headstock, showing Martin open-type machine heads. The reverse of the machine heads on a "folk" steel-string acoustic guitar. Note the enclosed gears. On some guitars, such as those with Floyd Rose bridge, string tuning may be also conducted using microtuning tuners incorporated into the guitar bridge.
Banjo guitar, also known as banjitar [1] or ganjo, [2] is a six-string banjo tuned in the standard tuning of a six-string guitar (E2-A2-D3-G3-B3-E4 from lowest to highest strings). The instrument is intended to allow guitar players to emulate a banjo, without learning the different tuning and fingering techniques required for the standard five ...
Lotus from the mid 1990s is in the shape of a mutated fender jazzmaster. Lotus was a house brand belonging to Midco International of Illinois. The brand was applied to guitars, basses, banjos, and mandolins made in various Asian factories from the late 1970s until the early 2000s.
The first banjo method was the Briggs' Banjo instructor (1855) by Tom Briggs. [36] Other methods included Howe's New American Banjo School (1857), and Phil Rice's Method for the Banjo, With or Without a Master (1858). [36] These books taught the "stroke style" or "banjo style", similar to modern "frailing" or "clawhammer" styles. [36]
The Jazz Special Bass has a single blade pickup as used on the K-161 and K-162 (tilted slightly towards the neck at the treble side), as well as a distinctive, oversized headstock. Valued among collectors, the headstocks from 1957 to 1960 featured a reverse painted plastic overlay similar to the Kelvinator logo. The guitars featured art deco ...