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"Sunday Morning" is a song by American band No Doubt for their third studio album, Tragic Kingdom (1995). It was written by Gwen Stefani, Eric Stefani, and Tony Kanal, produced by Matthew Wilder, and released as the record's fifth single on May 27, 1997.
Saturday Night and Sunday Morning opened at the Warner cinema in London's West End on 27 October 1960, and received generally favourable reviews. It entered general release on the ABC cinema circuit from late January 1961, and was a box-office success, being the third most popular film in Britain that year.
No Doubt recorded a cover of the Christmas song "Oi to the World", which was written by Joe Escalante. Jamaican singer Lady Saw raps a verse for the 2001 single "Underneath It All". British musician Ms. Dynamite contributes guest vocals to "A Real Love Survives", a remix of No Doubt's "Rock Steady". Prince co-wrote "Waiting Room" for Rock Steady.
Saturday Night and Sunday Morning is the first novel by British author Alan Sillitoe [1] and won the Authors' Club Best First Novel Award.. It was adapted by Sillitoe into the 1960 film of the same name starring Albert Finney, directed by Karel Reisz, and in 1964 was adapted by David Brett as a play for the Nottingham Playhouse, with Ian McKellen playing one of his first leading roles.
Saturday Night tells the pulse-pounding tale of the 90 minutes leading up to the very first episode of Saturday Night Live — then titled NBC's Saturday Night — on Oct. 11, 1975.
Reisz's first feature film, Saturday Night and Sunday Morning (1960), was based on the social-realism novel by Alan Sillitoe, and used many of the same techniques as his earlier documentaries. In particular, scenes filmed at the Raleigh factory in Nottingham have the look of a documentary, and give the story a vivid sense of verisimilitude. [ 10 ]
Tony Kanal, bassist and co-writer for No Doubt, poses near his trailer in the band's artist compound before rocking the stage on Night 2 of Coachella, Weekend 1. (Dania Maxwell / Los Angeles Times)
The album also features a sole instrumental track, "Saturday Night and Sunday Morning", which recalls the jazz-influenced instrumentals featured on his first two albums, Face Value and Hello, I Must Be Going. "Father to Son" is a ballad about Collins's relationship with his eldest son, Simon.