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The vast majority of the inhabitants of the United States are immigrants or descendants of immigrants. This article will focus on the music of these communities and discuss its roots in countries across Africa, Europe and Asia, excluding only Native American music, indigenous and immigrant Latinos, Puerto Rican music, Hawaiian music and African American music.
By 1960, half of the African Americans in the South lived in urban areas, [13] and by 1970, more than 80% of African Americans nationwide lived in cities. [14] In 1991, Nicholas Lemann wrote: The Great Migration was one of the largest and most rapid mass internal movements in history—perhaps the greatest not caused by the immediate threat of ...
As the music of the African Diaspora progresses, more recent and popular songs have demonstrated an act of protest in their lyrics and significant elements that are featured in the music of the African Diaspora. An example of a song would be, "Formation" by the African-American singer, Beyoncé; released in 2016.
Hip hop or rap music, [55] [56] [57] is a music genre developed in the United States by inner-city African Americans in the 1970s which consists of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. [55]
African-American music is a broad term covering a diverse range of musical genres largely developed by African Americans and their culture. Its origins are in musical forms that developed as a result of the enslavement of African Americans prior to the American Civil War .
In the 1970s, urban African Americans in New York City began performing spoken lyrics over a beat provided by an emcee; this became known as hip hop music. By the dawn of the 21st century, hip hop had become a part of most recorded American popular music, and by the 2010s had surpassed rock music in overall listenership.
Arguably one of the best decades of music, the 1970s saw the rise of disco, long shaggy hair, the continuation of the free love movement, and, of course, Rock and Roll at its height of fame ...
The sound quality of African-American music distinguishes itself because of its African sentiments that are foreign to Western patterns. [55] Maultsby describes how in Africa and the black diaspora, black musicians have managed to cultivate an array of unique sounds that imitate nature, animals, spirits, and speech into their music. [54]