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The koto (箏 or 琴) is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. [1]
Shamisen – a banjo-like lute with three strings; brought to Japan from China in the 16th century. Popular in Edo's pleasure districts, the shamisen is often used in kabuki theater. Made from red sandalwood and ranging from 1.1 to 1.4 metres (3 ft 7 in to 4 ft 7 in) long, the shamisen has ivory pegs, strings made from twisted silk, and a belly ...
A woman playing a koto, depicted in 1878 by Settei Hasegawa.. Danmono (Japanese: 段物) is a traditional Japanese style of instrumental music for the koto.The few pieces of its repertoire were mostly composed and developed in the seventeenth century, and all follow a strict form of composition.
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The Story of the Irish Harp: Its History and Influence. North Creek Press. ISBN 0-9724202-0-7. Ireland: Rimmer, Joan (1969). The Irish Harp. Cork: Mercier Press for the Cultural Relations Committee. ISBN 0-85342-151-X. Japan: Adriaansz, Willem (1973). The Kumiuta and Danmono Traditions of Japanese Koto Music. Los Angeles: University of California.
Noh (能) or nōgaku (能楽) music is a type of theatrical music used in Noh theatre. Noh music is played by an instrumental ensemble called hayashi-kata (囃子方).The instruments used are the taiko (太鼓) stick drum, a large hourglass-shaped drum called the ōtsuzumi (大鼓), a smaller hourglass-shaped drum called the kotsuzumi (小鼓), and a bamboo flute called the nohkan (能管).
Umui, religious songs, shima uta, dance songs, and, especially kachāshī, lively celebratory music, were all popular on the island. Okinawan folk music differs from mainland Japanese folk music in several ways. Okinawan folk music is often accompanied by the sanshin, whereas in mainland Japan the shamisen accompanies instead.
Yatsuhashi Kengyō (八橋 検校; 1614–1685) was a Japanese musician and composer from Kyoto. The name kengyō is an honorary title given to highly skilled blind musicians. Yatsuhashi, who was born and died in Japan, was originally a player of the shamisen , but later learned the koto from a musician of the Japanese court.