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' Rama's worship of Shakti ') is a poem in Hindi by Suryakant Tripathi 'Nirala'. It was published in 1937 in the second edition of Nirala's poetry collection Anamika . This long poem consists of 312 lines composed in Nirala's tailored poetic meter , Shakti Puja - a rhyming meter of twenty-four syllables.
Guṇa is both a root and a word in Sanskrit. Its different context-driven meanings are derived from either the root or the word. In verse VI.36 of Nirukta by Yāska, a 1st millennium BC text on Sanskrit grammar and language that preceded Panini, Guṇa is declared to be derived from another root Gaṇa, [16] which means "to count, enumerate". [17]
After a benedictory verse that extols the gurus of the tradition, [2] the text prescribes the modes of worship of Rama. It describes the procedure for performing the murti puja of the deity (icon veneration), purification rites, and obligatory daily rites ( nityakarma ).
Acharya Baldev Upadhyay has also kept Valmiki Samhita under Panchratric text in his work Sanskrit Vangmay Ka Brihad Itihaas. [16] Eminent scholars in India like Swami Karpatri and Anjani Nandan Sharan has kept Valmiki Samhita under a most important text in the worship of Rama and Sita in their works Ramayana Mimansa and Vinay Piyush respectively .
Sita exiled by Rama and sita take vow she give kundamala or Garland to river for safe Birth of her son. Sita gave birth two twins. This twins sing ramayana in Rama's court and finally Rama meet his family. Mahaviracharita of Bhavabhuti based on Ramayana. This play start with Rama came in Hermitage of visvamitra and end with coronation of Rama.
Poem in eight Śikhariṇī metres, eulogising the birth of Rama by comparing infant Rama via eight Utprekṣā figures of speech respectively to the moon, a dark cloud, the ocean, an emerald, a Tamāla tree, Kamadeva, a blue lotus, and a bumblebee. With an Awadhi poetic translation and Hindi commentary by the poet.
The Brahmanda Purana is notable for the Adhyatma-ramayana, a Rama-focussed embedded text in it, which philosophically attempts to synthesize Bhakti in god Rama with Shaktism and Advaita Vedanta. [ 195 ] [ 196 ] [ 197 ] While an avatar of Vishnu is the main focus of the Puranas of Vaishnavism, these texts also include chapters that revere Shiva ...
Rama as a first name appears in the Vedic literature, associated with two patronymic names – Margaveya and Aupatasvini – representing different individuals. A third individual named Rama Jamadagnya is the purported author of hymn 10.110 of the Rigveda in the Hindu tradition. [25]