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Two women wearing the robe à la polonaise, literally meaning the Polish dress Jean-Michel Moreau, Le Rendez-vous pour Marly, engraved by Carl Guttenberg c. 1777.. The robe à la polonaise or polonaise, literally meaning the Polish dress, is a woman's garment of the 18th century 1770s and 1780s or a similar revival style of the 1870s inspired by Polish national dress style, costume, [1 ...
As the bodices grew longer in 1873, the polonaise was thus introduced into the Victorian dress styles. A polonaise is a garment featuring both an overskirt and bodice together. The tournure was also introduced, and along with the polonaise, it created an illusion of an exaggerated rear end.
The term "Dolly Varden" in dress is generally understood to mean a brightly patterned, usually flowered, dress with a polonaise overskirt gathered up and draped over a separate underskirt. [1] The overdress is typically made from printed cotton or chintz, although it can be made from other materials such as lightweight wool, silk and muslin.
Fashions from La Mode Illustrée show dresses made of contrasting fabrics worn with "shelf" bustles and opera-length gloves, 1887. Princess Alix of Hesse wears a high-necked day dress, 1887. Fashions of 1888 feature full busts, large "shelf" bustles, and wide shoulders. Gloves reach the elbow or slightly above.
The three gathered back sections of the skirt and fitted bodice of the 1770s incarnation of the mantua, known as the polonaise gown or Robe à la Polonaise, were distinct to this style, with the puffed skirt achieved through cording or ribbons. [9] The Robe à l'Anglaise or English gown was also a popular style in Europe. The English-style gown ...
Caroline Amalie of Augustenburg wears a green pinafore dress over a white blouse or a chemise with a ruffled collar. A wide brimmed straw hat protects her face from the sun. Mademoiselle Gonin wears a dark dress with small puffed sleeves, with a ruffled collar and a blue plaid ribbon at the neck. Her hair is styled into small curls at her temples.
The girls wear white dresses with colored aprons. The Family of Dr. Josef August Eltz, Austria, 1835. 1830s fashion in Western and Western-influenced fashion is characterized by an emphasis on breadth , initially at the shoulder and later in the hips, in contrast to the narrower silhouettes that had predominated between 1800 and 1820.
Bustles and elaborate drapery characterize gowns of the early 1870s. The gentleman wears evening dress. Detail of Too Early by James Tissot, 1873.. 1870s fashion in European and European-influenced clothing is characterized by a gradual return to a narrow silhouette after the full-skirted fashions of the 1850s and 1860s.
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