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The fretting hand can also mute the strings on the fretboard to damp a chord, creating staccato and percussive effects. In reggae and ska , a few staccato "chops" are played per bar. In funk rhythm playing, the strumming hand keeps a fairly steady motion in 16th notes , while the left hand, basically holding down a jazz chord damps some of them ...
The predecessor of today's six-string classical guitar was the five-string baroque guitar tuned as the five high strings of a six-string guitar with the A raised one octave. High C – E-A-d-g-c' Standard tuning with the B tuned a half step higher to C to emulate a six-string bass guitar, minus the low B. This is an all fourths tuning.
The diagonal movement of chords is especially simple for the regular tunings that are repetitive, in which case chords can be moved vertically: Chords can be moved three strings up (or down) in major-thirds tuning, and chords can be moved two strings up (or down) in augmented-fourths tuning. Regular tunings thus appeal to new guitarists and ...
The shifting of chords is especially simple for the regular tunings that repeat their open strings, in which case chords can be moved vertically: Chords can be moved three strings up (or down) in major-thirds tuning, [3] and chords can be moved two strings up (or down) in augmented-fourths tuning. Regular tunings thus appeal to new guitarists ...
The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.
Drop D tuning is the most basic type of "drop 1" tuning, where the 6th string is tuned down a whole step (a tone). A large number of other "drop 1" tunings can be obtained simply by tuning a guitar to drop D tuning and then tuning all strings down some fixed amount. Examples are Drop D ♭, Drop C, Drop B, Drop B ♭, and Drop A tunings. All of ...
Ole Kirkeby for 6- and 7-string guitars: Charts of intervals, major, minor, and dominant chords; recommended gauges for strings. Ralph Patt for 6-, 7-, and 8-string guitars: Charts of scales, chords, and chord-progressions; string gauges. Three other jazz-guitar websites: Oberlin, Alexandre (3 October 2012).
The first beat is a staccato chord, emphasizing the lower strings with a more "bassy" sound, produced by a down stroke; the fretting hand immediately afterward releases the strings slightly to deaden them. The next beat is a percussive strum, produced by a down stroke, that emphasizes a more "trebly" sound by engaging a fuller range of the strings.
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