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Even as the poem mourns Lincoln, there is a sense of triumph that the ship of state has completed its journey. [76] Whitman encapsulates grief over Lincoln's death in one individual, the narrator of the poem. [77] Cohen argues that the metaphor serves to "mask the violence of the Civil War" and project "that concealment onto the exulting crowds".
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. [1] It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are usually meant to create a likeness or an analogy. [2]
Ship of state: the nautical metaphors of Thomas Jefferson : with numerous examples by other writers from classical antiquity to the present. Lanham, MD: University Press of America. ISBN 978-0-7618-2516-6. Milligan, Christopher S.; Smith, David C. (1997). "Language from the Sea: Discovering the Meaning and Origin of Nautical Metaphors".
The couple metaphor-metonymy had a prominent role in the renewal of the field of rhetoric in the 1960s. In his 1956 essay, "The Metaphoric and Metonymic Poles", Roman Jakobson describes the couple as representing the possibilities of linguistic selection (metaphor) and combination (metonymy); Jakobson's work became important for such French ...
Prose: a prose composition that is not broken into verse lines, instead expressing other traits such as symbols, metaphors, and figures of speech. Rondel (or roundel): a poem of 11 to 14 lines consisting of 2 rhymes and the repetition of the first 2 lines in the middle of the poem and at its end.
"The Negro Speaks of Rivers" is a poem by American writer Langston Hughes. Hughes wrote the poem when he was 17 years old and was crossing the Mississippi River on the way to visit his father in Mexico. The poem was first published the following year in The Crisis magazine, in June 1921, starting Hughes's literary career. "The Negro Speaks of ...
In letters home from an abstinence-based facility in Prestonsburg, Kentucky, Kayla Haubner gushed about how she was taking to the program, but worried it wouldn’t be enough. “I’m so ready to stay sober,” she wrote in early 2013. “Believe me, I know how hard it’s gonna be when I leave here + go back into the real world. I’m safe ...
Scholars have noted that the form of the poem follows the content: the wavelike quality of the long-then-short lines parallels the narrative thread of the poem. The extended metaphor of "crossing the bar" represents travelling serenely and securely from life into death. The Pilot is a metaphor for God, whom the speaker hopes to meet face to face.