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Magtanim ay 'Di Biro (transl. "Planting rice is not a joke", [1] [a] and known in its English title as Planting Rice) [1] is a popular Tagalog folk song composed by Felipe de León. [ 2 ] [ 3 ] The song tells of the struggles of farmers, how one must twist and bend to plant rice in the muddy paddies all day, with no chance to sit nor stand.
Bagobo Rice Cycle, also known as Sugod Uno, is a tribal dance which portrays the rice production cycle. This includes the prepping the land, planting rice, watering the rice, and harvesting it. This dance also portrays rituals to say thank you for the rice that they were able to harvest. [9] Dugso Bukidnon Talaindig
Lucrecia Faustino Reyes-Urtula (June 29, 1929 – August 4, 1999) was a Filipino choreographer, theater director, teacher, author and researcher on ethnic dance. She was the founding director of the Bayanihan Philippine National Folk Dance Company and was named National Artist of the Philippines for dance in 1988.
Today’s fine stylistic lamvonglao dance originally evolved from a simple dance that villagers growing rice in paddy field would perform around a central bale of rice to celebrate harvest time. It is a slow revolving circle dance with the men forming an inner circle around an outer circle formed by the women, and the dance consists of eight ...
The song was performed by non-natives (Australians) singing in both English and Malay. The lyrics present a love story setting between the two lovers. The B-side of the record is "Planting Rice", loosely based on the Filipino folk song Magtanim Ay 'Di Biro, also performed by Paul Lombard accompanied by a vocal chorus by Joan Wilton. This piece ...
Folk music musical instruments. The music of the Philippines' many Indigenous peoples are associated with the various occasions that shape life in indigenous communities, including day-to-day activities as well as major life-events, which typically include "birth, initiation and graduation ceremonies; courtship and marriage; death and funeral rites; hunting, fishing, planting and harvest ...
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The Ramon Obusan Folkloric Group (ROFG) was founded in 1972, and started out as a fledgling folk dance company composed of some thirty performers. [1] Leaning on the vast amount of data and artifacts that he has accumulated while doing research over the years, Ramon Obusan [2] thought of starting a dance company that would mirror the traditional culture of the Philippines through dance and music.