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The Ramayana was an important influence on later Sanskrit poetry and the Hindu life and culture, and its main figures were fundamental to the cultural consciousness of a number of nations, both Hindu and Buddhist.
Gujarat - The Tulsi-Krta Ramayana is a Gujarati adaptation of Tulsidas' Ramcharitamanas in the 17th century, by the poet Premanand Swami. The Giradhara Ramayana is also a prominent retelling of Ramayana in Gujarati by the 18th-century poet Giradhara Gosvami. Jammu and Kashmir – The Kashmiri Ramavatara Charita was written in the 19th century.
Three Hundred Rāmāyaṇas is a scholarly essay that summarizes the history of the Rāmāyaṇa and its spread across India and Asia over a period of 2,500 years or more. . It seeks to demonstrate factually how the story of Rama has undergone numerous variations while being transmitted across different languages, societies, geographical regions, religions, and historical perio
The Ramayana was translated from Sanskrit into old Javanese around 860 CE, while the performance arts culture most likely developed from the oral tradition inspired by the Tamil and Bengali versions of Rama-based dance and plays. [243]
His Ramayana is not the sum total of strictly Brahminical culture, written for a literate public; it is no doubt still a medium of Brahminical culture, but Brahminism devoid of its solemnity, meant to inform with affability the perception of this culture by a public of simple people.
The Arunachal Pradesh Tai Khamti Ramayana (Phra Chow Lamang) shows Rama as a Bodhisattva who was reborn so Ravana could torture him. In the Laotian Buddhist text Phra Lak Phra Lam , Rama is a Bodhisattva and the embodiment of virtues, while Ravana is a Brahmin (" mahabrahma ") son of Virulaha who is highly materialistic.
King Rama VI was the first person to shed light first on the Ramayana studies in Thailand, by tracing the sources of the Ramakien, comparing it with the Sanskrit Valmiki Ramayana. He found that the Ramakien was influenced by three sources: the Valmiki's Ramayana, the Vishnu Purana, and Hanuman Nataka (all three are from mythology). [2]
The Maharadia Lawana (sometimes spelled Maharadya Lawana or Maharaja Rāvaṇa) is a Maranao epic which tells a local version of the Indian epic Ramayana. [1] Its English translation is attributed to Filipino Indologist Juan R. Francisco, assisted by Maranao scholar Nagasura Madale, based on Francisco's ethnographic research in the Lake Lanao area in the late 1960s.