Search results
Results from the WOW.Com Content Network
What's done cannot be undone. – To bed, to bed, to bed!" [3] Shakespeare did not coin the phrase; it may actually be a derivative of the early 14th-century French proverb: Mez quant ja est la chose fecte, ne peut pas bien estre desfecte, which is translated into English as "But when a thing is already done, it cannot be undone".
The traditional origin is said to be a curse set upon the play by a coven of witches, angry at Shakespeare for using a real spell. [2] One hypothesis for the origin of this superstition is that Macbeth, being a popular play, was commonly put on by theatres in financial trouble, or that the high production costs of Macbeth put theatres in financial trouble, and hence an association was made ...
MACBETH. She should have died hereafter. There would have been a time for such a word. Tomorrow, and tomorrow, and tomorrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life’s but a walking shadow; a poor player,
The title character of “The Tragedy of Macbeth” is unequivocal: “If it were done when ’tis done, then ’twere well it was done quickly.” Director Yaël Farber begs to differ. She takes ...
After their horrible act is done, Macduff knocks on the gate. Macduff's knock is the return of the world the Macbeths have left. It signals "the pulses of life are beginning to beat again: and the re-establishment of the goings-on of the world in which we live, first makes us profoundly sensible of the awful parenthesis that had suspended them".
William Shakespeare's play Macbeth is said to be cursed, so actors avoid saying its name when in the theatre (the euphemism "The Scottish Play" is used instead). Actors also avoid even quoting the lines from Macbeth before performances, particularly the Witches' incantations. Outside a theatre and after a performance, the play can be spoken of ...
The Three Witches, also known as the Weird Sisters, Weyward Sisters or Wayward Sisters, are characters in William Shakespeare's play Macbeth (c. 1603–1607). The witches eventually lead Macbeth to his demise, and they hold a striking resemblance to the three Fates of classical mythology.
Eliot uses Lady Macbeth's state of mind as an example of the successful objective correlative: "The artistic 'inevitability' lies in this complete adequacy of the external to the emotion….", as a contrast to Hamlet. According to Eliot, the feelings of Hamlet are not sufficiently supported by the story and the other characters surrounding him.