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The horrific, lethal, split-second impact comes in frame 313, seven rows up from the bottom and 16 frames to the right, where a burst of vertical light interrupts the horizontal flow of the ...
The Badge Man is reputedly visible in Moorman's fifth and most famous photo of the area, taken almost exactly at the moment of the fatal shot. This photo has been calculated to have been captured between Zapruder film frames 315 and 316, less than one-sixth of a second after President Kennedy was shot in the head at frame 313. [3]
Frame 313 captures the exact moment at which Kennedy's head explodes. [173] Life magazine published frame enlargements from the Zapruder film shortly after the assassination. [ 172 ] [ 174 ] The footage itself was first publicly shown at the 1969 trial of Clay Shaw , and on television in 1975 by Geraldo Rivera . [ 175 ]
Frame 150 from the Zapruder film. Kennedy's limousine has just turned onto Elm Street, moments before the first shot. The Zapruder film is a silent 8mm color motion picture sequence shot by Abraham Zapruder with a Bell & Howell home-movie camera, as United States President John F. Kennedy's motorcade passed through Dealey Plaza in Dallas, Texas, on November 22, 1963.
Moorman's photograph captured the fatal headshot that killed President Kennedy. When she took it – approximately one-sixth of a second after President Kennedy was struck in the head at Zapruder frame 313, Moorman was standing behind and to the left of President Kennedy, about 15 feet (5 m) from the presidential limousine. [4]
[citation needed] At Zapruder frame 313, when Kennedy was shot in the head, Hill was only 21 feet (6.4 m) away, leftward, and slightly behind him. In her Warren Commission testimony, she stated that a Secret Service agent told her right after the attack that another Secret Service agent, watching from the courthouse, saw a bullet strike "at my ...
The version of the Zapruder film available to the public depicts the fatal head shot on only one frame of the film, frame 313. Additionally, Brugioni is adamant that the set of briefing boards available to the public in the National Archives is not the set that he and his team produced on November 23–24, 1963. [11] [14]
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