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Live looping is the recording and playback of a piece of music in real-time [1] using either dedicated hardware devices, called loopers or phrase samplers, or software running on a computer with an audio interface. Musicians can loop with either looping software or loop pedals, which are sold for tabletop and floor-based use.
During Wong’s live performances, he creates intricate pieces based on cyclical guitar loops. His live setup is built around a loop pedal, combined with octave and distortion pedals to change the textures and colors of the guitar, plus a delay pedal to determine the tempo and pattern. [10] He manipulates the pedal controls while performing.
Frippertronics is a tape looping technique used by English guitarist Robert Fripp. [1] It marked the first real-time tape looping device, evolving from a system developed in the electronic music studios of the early 1960s by composers Terry Riley and Pauline Oliveros and made popular through its use in ambient music by composer Brian Eno, as on his album Discreet Music (1975).
A loop can be created by a looper pedal, a device that records the signal from a guitar or other audio source and then plays the recorded passage over and over again. [13] In the early 1990s, dedicated digital devices were invented specifically for use in live looping, i.e. loops that are recorded in front of a live audience. [citation needed]
Loops can be created on the spot during a performance (live looping) or they can be pre-recorded. By using a looper pedal, a singer-guitarist in a one person band can play the backing chords (or riffs) to a song, loop them with the pedal, and then sing and do a guitar solo over the chords.
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Live looping performers create layered looped accompaniment for musical solos that are sung or played later in the song. Using this technology, a simultaneous combination of various instruments and vocals, or one instrument played in different ways, can be created over the course of one musical piece which rivals the sounds of studio recording.