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As for The Lord of the Rings, Nelson writes, the dead are well represented by "the Barrowwights, the Dead whom Aragorn leads out of the White Mountains, the dead elves and men [who] Frodo sees in the Dead Marshes with their mysterious candles, and the Black Riders who are among the living dead."
Aragorn is a Ranger of the North, first introduced with the name Strider and later revealed to be the heir of Isildur, an ancient King of Arnor and Gondor. Aragorn is a confidant of the wizard Gandalf and plays a part in the quest to destroy the One Ring and defeat the Dark Lord Sauron.
J. R. R. Tolkien built a process of decline and fall in Middle-earth into both The Silmarillion and The Lord of the Rings.. The pattern is expressed in several ways, including the splintering of the light provided by the Creator, Eru Iluvatar, into progressively smaller parts; the fragmentation of languages and peoples, especially the Elves, who are split into many groups; the successive falls ...
Scholars and critics have identified many themes of The Lord of the Rings, a major fantasy novel by J. R. R. Tolkien, including a reversed quest, the struggle of good and evil, death and immortality, fate and free will, the danger of power, and various aspects of Christianity such as the presence of three Christ figures, for prophet, priest, and king, as well as elements such as hope and ...
Magic in Middle-earth is the use of supernatural power in J. R. R. Tolkien's fictional Middle-earth. Tolkien distinguishes ordinary magic from witchcraft, the latter always deceptive, stating that either type could be used for good or evil .
Aragorn too has a sword which was broken: the ancient and magical sword Narsil, of his distant ancestor Elendil, whose son Isildur used it to defeat the Dark Lord Sauron by cutting the Ring from his hand. Like Frodo, Aragorn arrives in Rivendell, and there he too receives a magic weapon: his sword is reforged, as Andúril, "Flame of the West ...
Tolkien stated that the "Flame Imperishable" or "Secret Fire" represents the Holy Spirit in Christian theology, [1] the creative activity of Eru, inseparable both from him and from his creation. In the interpretation of Christopher Tolkien , it represents "the mystery of authorship ", the author both standing outside of his work and indwelling ...
The Episcopal priest and theologian Fleming Rutledge writes that whereas the "pale king", the invisible Witch-king of Angmar, is striving to kill Frodo, the real king, Aragorn, who has been out of sight, in disguise as a Ranger, is doing all he can to heal him: the two kings are opposites. [7]