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Outlaw Blues is a 1977 American drama film directed by Richard T. Heffron and starring Peter Fonda and Susan Saint James. [1] Written by Bill L. Norton, the film is about an ex-convict and songwriter trying to break into the music business in Austin, Texas.
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1956: 78 - A: Reels: Jacksons/Buckley’s Fancy B: Jigs: The Lark in the Morning/Macs Fancy/Prestons (His Master's Voice No. 1P 1150 - reissued as a 45 rpm 7" single in 1963 as 45-IP 1150) 1956: 78 - A: Reels: The Woman of the House/Limerick Lasses/Come West Along the Road B: Medley of Polkas (His Master's Voice No.No. 1P 1151 - reissued as a ...
While Barney tries to talk to George, zon Zell keeps interrupting with talk about Carnation. George gives Barney a scrap book about his time in vaudeville. Mr. Walsh, a photographer sent by Mr. Dean, arrives. While taking pictures, Gracie tells George about some of the other things she bought at the auction. Gracie dances an Irish Jig. [8]
Where the Beat Meets the Street is the second studio album by Grateful Dead rhythm guitarist Bob Weir and his side-project, Bobby and the Midnites. The album reached number 166 on the Billboard 200. The album reached number 166 on the Billboard 200.
According to the Mel Tormé book The Other Side of the Rainbow with Judy Garland on the Dawn Patrol, Van Heusen originally wrote the song for Garland to sing at a CBS dinner. At that time, Garland had just signed to do The Judy Garland Show on CBS, and the intent of the song was to parody her well-known problems. Garland later sang the song on ...
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