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There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe, but younger dancers will start out with the fast hornpipe and then switch in later years. There is a change of tempo in the music, but not the dancing between these two speeds.
Songs: The Unfortunate Rake (A. L. Lloyd and Alf Edwards) — The Trooper Cut Down in His Prime – (Ewan MacColl and Peggy Seeger) — The Young Sailor Cut Down in His Prime (Harry Cox) — Noo I'm a Young Man Cut Down in My Prime (Willie Mathieson) — The Bad Girl's Lament (Wade Hemsworth) — One Morning in May (Hally Wood) — Bright ...
Samuel Pepys referred to the dance in his diary as "The Jig of the Ship" and Captain Cook, who took a piper on at least one voyage, is noted to have ordered his men to dance the hornpipe in order to keep them in good health. [5] The dance on-ship became less common when fiddlers ceased to be included in ships' crew members.
Rawsthorne's compositions and arrangements are found in many contemporary collections of organ music. His Hornpipe Humoresque is an amusing set of variations on the familiar Sailor's Hornpipe, in the styles of Bach (Brandenburg Concerto No. 3, 1st movement), Vivaldi ("Spring," 1st movement, from The Four Seasons), Arne (Rule Britannia) and Widor ("Toccata" from Symphony for Organ No. 5).
The Rakes formed in 2002. [3] Their debut album, Capture/Release, spawned the singles "22 Grand Job", "Work, Work, Work (Pub, Club, Sleep)", and "Retreat". [3] Several of their singles appeared in the Top 40 of the UK Singles Chart and Capture/Release reached No. 32 in the UK Albums Chart.
Today's NYT Connections puzzle for Thursday, December 12, 2024The New York Times
According to the New York Times, here's exactly how to play Strands: Find theme words to fill the board. Theme words stay highlighted in blue when found.
"Portsmouth" is a traditional English folk dance tune, similar to an Irish or Scottish hornpipe melody. It is sometimes referred to as the "Portsmouth Hornpipe". "Portsmouth" appeared in the 11th edition of John Playford's The Dancing Master in 1701.
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