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Sarasuda, a varnam composed by Kotavasal Venkatarama Iyer, set to Adi tala; Sankari Sankuru, Durusuga and Janani Natajana composed by Shyama Sastri; Bhavayaami Raghuraamam (first raga used in this ragamalika), Anjaneya Raghuraamam, Paripahi Ganadhipa, Pahimam Sripadmanabha and Devi Pavane (Navarathri third day krithi) by Maharaja Swathi Thirunal
The ancient Sanskrit text Natya Shastra by Bharata identifies and discusses twenty two shruti and seven shuddha and two vikrita svara. [19] The Natya Shastra mentions that in Shadaj graama, the svara pairs saa-ma and saa-pa are samvaadi svaras (consonant pair) and are located at the interval of 9 and 13 shruti respectively.
Kanakangi scale with shadjam at C. It is the 1st rāgam in the 1st chakra Indu.The mnemonic name is Indu-Pa.The mnemonic phrase is sa ra ga ma pa dha na. [1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) has all shuddha swaras, as follows (see swaras in Carnatic music for details on below notation and terms):
Bahudari ascending scale with shadjam at C Bahudari descending scale with shadjam at C. Bahudari is an asymmetric scale that does not contain rishabham.It is called a shadava-audava rāgam, [1] [2] in Carnatic music classification (as it has 6 notes in ascending and 5 notes in descending scale).
Karnataka Shuddha Saveri is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an audava rāgam (or owdava rāgam, meaning pentatonic scale). It is a janya rāgam (derived scale), as it does not have all the seven swaras (musical notes).
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Chakravakam scale with Shadjam at C. It is the 4th melakarta in the 3rd chakra- Agni.The mnemonic name is Agni-Bhu.The mnemonic phrase is sa ra gu ma pa dhi ni. [1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
Harikambhoji scale with Shadjam at C. It is the 4th rāgam in the 5th chakra Bana.The mnemonic name is Bana-Bhu.The mnemonic phrase is sa ri ga ma pa dha ni sa. [1] Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms):