Search results
Results from the WOW.Com Content Network
The Moody Blues scored three top-ten singles on the Billboard Hot 100, with "Nights in White Satin" reaching number 2 in Billboard and number 1 in Cashbox. On the UK singles chart , the group also had three top-ten hits, with " Go Now " reaching number 1.
The first album, Moody Bluegrass – A Nashville Tribute to the Moody Blues, was released in 2004. Those involved included Alison Krauss, Harley Allen, Tim O'Brien, John Cowan, Larry Cordle, Jan Harvey, Emma Harvey, Sam Bush and Jon Randall. A second Moody Bluegrass album, Moody Bluegrass Two...Much Love, was released in 2011. In addition to ...
Octave is the ninth album by the Moody Blues (the eighth by this particular line-up), released in 1978, and their first release after a substantial hiatus following the success of the best-selling Seventh Sojourn in 1972.
The album has a track sequence designed to capitalise on the legacy of the more successful Long Distance Voyager, with Justin Hayward's songs at the beginning and Ray Thomas's at the end. In November 2008 the album was remastered and released on CD with two extra tracks. The cover is a pastiche of Maxfield Parrish's painting Daybreak.
Prelude is a 1987 compilation album by the Moody Blues consisting of tracks from 1967 to 1968, all but one of which were not included on albums. Tracks 1–4 were previously released on singles in 1967 prior to the release of Days of Future Passed. They are the first Moody Blues releases to feature Justin Hayward and John Lodge.
Seventh Sojourn is the eighth album by the Moody Blues, released in October 1972. The album reached No. 5 in the United Kingdom, and became the band's first American chart-topper, spending five weeks at No. 1 there to close out 1972.
This Is The Moody Blues is a two LP (later two CDs) compilation album by the Moody Blues, released in late 1974 while the band was on a self-imposed sabbatical.Though all of the songs were previously released on albums (with the exception of "A Simple Game" which was a 1968 B-side), several of them are heard here in distinctly different mixes.
The album cover, a gate-fold, features artwork by Phil Travers, who created the group's previous two covers. The album cover reflects the album's theme as a lasting record to be discovered centuries later as an artifact. It depicts a cave painting, but with anachronistic elements including an airplane and rifle.