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The banjeaurine is tuned a fourth higher than the standard banjo (or like a Standard Banjo w/ a Capo on the 5th Fret), at open C major. Most notably constructed by Stewart, banjeaurines were also offered by other major banjo manufacturers, including Washburn , Fairbanks, Fairbanks & Cole , Cole , Vega , Weyman, Schall , Thompson & Odell ...
The banjo used in old-time music is typically a 5-string model [17] with an open back (i.e., without the resonator found on most bluegrass banjos). Today, old-time banjo players most commonly utilize the clawhammer style, but there were numerous styles, most of which are still used to some extent today. The major styles are down-picking ...
Another pre-civil war banjo was made by A.B. Bullock in Rhode Island; the 1854-made fretless banjo has a metal body with bolts to adjust the tension of the skin head. [17] A post-Civil War banjo on display from the 1880s used a wooden hoop tacked to the instrument's body on the outside to adjust the skin-head's tension. [18]
The first banjo method was the Briggs' Banjo instructor (1855) by Tom Briggs. [36] Other methods included Howe's New American Banjo School (1857), and Phil Rice's Method for the Banjo, With or Without a Master (1858). [36] These books taught the "stroke style" or "banjo style", similar to modern "frailing" or "clawhammer" styles. [36]
This is a Jazz-Age banjo, the American closed-back type that Leonardi referred to. The closed back is a resonator, to project more sound outward. In his 1921 book Méthode for the Banjoline or Mandoline-Banjo, Salvador Leonardi said that naming conventions between the United States and France had applied similar names to different instruments ...
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