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The Amon Carter Museum of American Art opened in 1961 as the Amon Carter Museum of Western Art. The museum's original collection of more than 300 works of art by Frederic Remington and Charles M. Russell was assembled by Fort Worth newspaper publisher and philanthropist Amon G. Carter Sr. (1879–1955). [3]
The main auditorium at Texas A&M School of Law is named after Amon Carter. It was a gift of the Amon G. Carter Foundation. The Southern Air Transport terminal at Fort Worth Meacham International Airport, now Atlantic Aviation, was dedicated to Amon Carter in 1933. The Fort Worth ISD's Amon Carter Riverside High School honors Carter.
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Upon her death, Pettis bequeathed Smith's entire body of work, including the inventory on loan to the Library of Congress, to the Amon Carter Museum of American Art in Fort Worth, Texas. The collection comprises over 2,000 negatives and more than 700 vintage prints, as well as Smith's personal papers and library.
The Amon Carter Museum of American Art holds one of the largest collections of Bellows' lithographs, a set of 220 prints acquired from the artist's estate in 1985. [18] There are also large collections of his lithographs at the Boston Public Library and the Cleveland Museum of Art .
Georgia O'Keeffe, Red Canna, 1919, High Museum of Art, Atlanta Painted in oil on a 13 in × 9 + 1 ⁄ 2 in (33.0 cm × 24.1 cm) board, the red canna lily framed by green and dark yellow background colors at the top and right of the painting and dark blue at the bottom and left. [ 9 ]
Abduction of Boone's Daughter, 1855–56, detail, Amon Carter Museum of American Art. He is known for an early painting of a colonial incident: his The Abduction of Boone's Daughter by the Indians (1855–56), a depiction of the 1776 capture near Boonesborough, Kentucky of Jemima Boone and two other girls by a Cherokee-Shawnee raiding party.
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