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The Charles Rennie Mackintosh Society encourages greater awareness of the work of Mackintosh as an architect, artist and designer. The rediscovery of Mackintosh as a significant figure in design has been attributed to the designation of Glasgow as European City of Culture in 1990, [ 38 ] and exhibition of his work which accompanied the year ...
The furniture that bears his name is highly sought after and seriously collected to this day. His designs were mainly inspired by such diverse influences as English Arts and Crafts, Dutch folk furniture, Scottish architect/designer Charles Rennie Mackintosh, and the Vienna Secession.
Marie Krøyer was inspired by the Scottish designer Charles Rennie Mackintosh to design furniture. When she and her husband moved into the town clerk's house in Skagen Vesterby in 1895, she designed the furniture and the interiors, [ 6 ] as she did when they acquired their Copenhagen home in Bergensgade.
A good example of this blurring of lines and distinction is Charles Rennie Mackintosh, whose architecture work was very much in the Glasgow style, but parts of the interior in those same buildings could lean more in the Arts and Crafts direction, particularly the furniture. [9]
For the first time, Mackintosh was given responsibility for not only the interior design and furniture, but also for the full detail of the internal layout and exterior architectural treatment. The resultant building came to be known as the Willow Tearooms, and is the best known and most important work that Mackintosh undertook for Miss Cranston.
The Artist's Cottage project is the realisation of three previously unexecuted designs by Scottish architect Charles Rennie Mackintosh.In 1901, Mackintosh produced two speculative drawings, An Artist's Cottage and Studio [1] and A Town House for an Artist.
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