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The works of Aristotle, sometimes referred to by modern scholars with the Latin phrase Corpus Aristotelicum, is the collection of Aristotle's works that have survived from antiquity. According to a distinction that originates with Aristotle himself, [citation needed] his writings are divisible into two groups: the "exoteric" and the "esoteric". [1]
Rembrandt's Aristotle with a Bust of Homer, too, is a celebrated work, showing the knowing philosopher and the blind Homer from an earlier age: as the art critic Jonathan Jones writes, "this painting will remain one of the greatest and most mysterious in the world, ensnaring us in its musty, glowing, pitch-black, terrible knowledge of time."
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Aristotle's views on fine art distinctly recognized (in the Politics and elsewhere) that the aim of art is immediate pleasure, as distinct from utility, which is the end of the mechanical arts. He took a higher view of artistic imitation than Plato, holding that it implied knowledge and discovery, that its objects not only comprised particular ...
Aristotle, world-weary, looks at the bust of blind, humble Homer, on which he rests one of his hands. This has variously been interpreted as the man of sound methodical science deferring to art, or as the wealthy and famous philosopher, wearing the jeweled belt given to him by Alexander the Great, envying the life of the poor blind bard. [8]
1974 in art – For the first time in art history, the chemogram invented by Josef H. Neumann closed the separation of the painterly background and the photographic layer in a symbiosis of painting and real photographic perspective.
Famous for the concept of Apeiron, or "the boundless". Anaximenes of Miletus (c. 585 – 525 BC). Of the Milesian school. Believed that all was made of air. Pythagoras of Samos (c. 580 – c. 500 BC). Of the Ionian School. Believed the deepest reality to be composed of numbers, and that souls are immortal. Xenophanes of Colophon (c. 570 – 480 ...
Lyric poems often employed highly varied poetic meters. The most famous of all lyric poets were the so-called "Nine Lyric Poets". [21] Of all the lyric poets, Sappho of Lesbos (c. 630 – c. 570 BC) was by far the most widely revered. In antiquity, her poems were regarded with the same degree of respect as the poems of Homer. [22]