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The 13 small [1] stained-glass panels depict scenes from the story of Sir Tristram and la Belle Isoude as told in Sir Thomas Malory's Morte d'Arthur. [2] [3] [4] They were commissioned by Walter Dunlop, a Bradford textile merchant, for a new music room to be built at Harden Grange, his house near Bingley, Yorkshire, and were designed and executed in 1862 by Morris, Marshall, Faulker & Co., the ...
Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
In early Christian churches of the 4th and 5th centuries, there are many remaining windows which are filled with ornate patterns of thinly-sliced alabaster set into wooden frames, giving a stained-glass like effect. [20] [21] Evidence of stained-glass windows in churches and monasteries in Britain can be found as early as the 7th century.
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
″The Deluge″ by Valentin Bousch, 1531. Glass, painted and stained. 11 ft. 10 1/4 in. x 5 ft. 7 in. Metropolitan Museum of Art. Valentin Bousch (circa 1490 – August 1541) was a Renaissance stained glass glazier and painter from Strasbourg, active in the Duchy of Lorraine and the Republic of Metz.
1958: Ceramic panel for the Pavilion of the Student Body of the Military Academy; 1958: Panel and ceramic frieze for the Institute of Hygiene and Tropical Medicine; 1961: Stained glass windows and the Grand Portico of the Aula Magna; 1966: Frescos for the main lobby of the National Library. 1966: Stained glass windows of the Seia Courthouse
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