Search results
Results from the WOW.Com Content Network
Punishment for Decadence (1988) No More Color (1989) ... Punishment for Decadence is the second album by the Swiss thrash metal band Coroner, released on 1 August 1988.
The second album, Punishment for Decadence, saw a progression into a more complex sound with a unison of bass and guitar. Tempo changes interspersed mid-paced sections and the odd slow passage between the faster passages started to emerge. Lyrically, Coroner began to write about themes such as politics and personal introspection.
No More Color was the album where Coroner started to truly "progress", as the songs are still similar to their older, speedy, European thrash metal but start to feature elements of the avant-garde progressive thrash of their later albums, akin to the band's then-labelmates Watchtower.
It should only contain pages that are Coroner (band) albums or lists of Coroner (band) albums, as well as subcategories containing those things (themselves set categories). Topics about Coroner (band) albums in general should be placed in relevant topic categories .
R.I.P. is the debut album released by the Swiss thrash metal band Coroner on 1 June 1987. This album marks the first chapter of the band's progression (thus it is less focused) and is characterized by raw speed and power (save for the instrumentals), representing an early progressive blend of neoclassical metal and thrash metal.
Coroner is the penultimate release by the Swiss thrash metal band Coroner. ... Punishment for Decadence: 5:01: 14. "I Want You ...
Grin is the fifth studio album by the Swiss thrash metal band Coroner, released in 1993.It was the band's final album before their fourteen-year break up from 1996 to 2010, and to date, other than several new tracks on the 1995 compilation album Coroner, Grin remains the most recent studio album by the band.
Mental Vortex sees Coroner continuing the experimental formula from its predecessor No More Color (1989), showcasing a mixture of thrash metal with progressive, jazz fusion and avant-garde influences, [3] while "unbridled speed and aggression were replaced by highly technical and unconventional songwriting".